February 1, 8, 15, 22, 2003
An installation by Lary Seven and Fabio Roberti using thirty-two discrete audio channels of pre-recorded sound events.
March 1, 2003
Pre-Babel-On with Guitar Too, for Four
A collaboration between Katherine Liberovskaya and Phill Niblock creating a dialogue between the installation Pre-Babel-On (Liberovskaya) and the guitar performance Guitar Too, for Four (Niblock).
March 8, 2003
Concurrence of Electrical Transformers in Several Locations
An installation by Erik Nauman featuring a performance of a piece with recorded and live sound titled Seperating the Stones.
March 15, 2003
An installation by Jason Kahn with intermittent performances by John Hudak and Jason Kahn.
March 30, 2003
A composition by Don Li performed by Ania Losinger, Björn Meyer, Jojo Mayer, and Don Li, with visuals by Pierre Yves Borgeaud.
April 5, 12, 19, 26, 2003
Two installations by Douglas Henderson: The Nature of the 102nd Thing (of 10,000), a 4 ch electroacoustic sound sculpture, and our words became parts of the landscape, a multichannel electroacoustic composition.
May 3, 10, 17, 24, 31, 2003
Two installations by Marina Rosenfield. The first is anti-Warhol movement (in 16 cues), a multichannel audio piece, and the second is titled Cephissus landscape, an installation.
September 6, 13, 20, 27, 2003
Two installations by Seth Cluett: cloud-to-air, an audiovisual installation, and static geometry, an audio installation.
November 8, 2003
A piece by Pauline Oliveros for accordion and expanded instrument system.
October 25, 2003
A performance of Tom Johnson’s Symmetries by Gertrud Schneider and Tomas Bächli. The installation also features works by Debussy, Satie, Kurtàg, and Zimmerlin.
November 15, 2003
A sound installation by Kenta Nagai with a live performance also featuring Stephanie Griffin, Jean Cook, and Sean Meehan.
October 4, 11, 18, 25, 2003
Two installations by Alan Licht. The first piece is titled City Geese, Country Geese, and the second is Twilight of the Idols.
November 1, 2003
An installation by Judy Dunaway using balloons to simulate the effects of sound waves on the eardrum.
November 29, 2003
A sound installation by Matthew Ostrowski, with piano performed by Michael J. Schumacher.